Proud, eccentric, and antisocial, Monsieur Hire (Michel Simon) has always kept to himself.


Based on a play by W. Somerset Maugham, William Wyler’s ravishing tropical melodrama The Letter is a scintillating showcase for star Bette Davis, who delivers a bravura, Oscar-nominated performance as a femme fatale who will stop at nothing to retrieve a letter that incriminates her in a murder. Lumet captures the intense, fearless performances and Williams’s hot-blooded storytelling and social critique with his customary restraint, resulting in a drama of uncommon sophistication and craft. Four Oscar-winning actors— Marlon Brando, Anna Magnani, Joanne Woodward, and Maureen Stapleton—shine in this enthralling film, which also brings together the legendary talents of director Sidney Lumet and writer Tennessee Williams. * Forty-eight-minute post-screening Q&A in Madrid from 2019, featuring Pedro Almodóvar, Agustín Almodóvar, and Paredes Ever since making their mark in the midnineties with La promesse, Belgian masters Jean-Pierre and Luc Dardenne have been a singular force in world cinema, honing their unique style of unembellished, heart-racing humanism in acclaimed slice-of-life dramas like L’enfant and The Kid with a Bike. With subsequent works like the black-comic revenge fantasy She-Devil, starring Meryl Streep, and the Nora Ephron–scripted father-daughter mob caper Cookie, Seidelman confirmed her flair for crafting offbeat comedies built around memorably messy, idiosyncratic women. * PLUS: An essay by critic Bilge Ebiri, 1964 * 112 minutes * Black & White * Monaural * 1.85:1 aspect ratio. Home Date. Each month, the programmers at the Criterion Channel produce incredible line-ups for their subscribers.
Anna Karina (in her first collaboration with Godard, whose camera is visibly besotted with her) is beguiling as the mysterious woman with whom Forrestier becomes infatuated.

* High-definition digital restoration, approved by director Sidney Lumet, with uncompressed monaural soundtrack SPECIAL EDITION FEATURES

The Criterion Collection announced its new releases for November 2020, including Martin Scorsese's The Irishman and Jim Jarmusch's Ghost Dog.

This Criterion edition, only ever released on laserdisc, features an illuminating commentary that Scorsese and Schrader recorded in 1986.

Before his convention-shattering debut, Breathless, had even premiered, Jean-Luc Godard leapt into the making of his second feature, a thriller that would tackle the most controversial subject in France: the use of torture in the Algerian War. * PLUS: An essay by critic Dana Stevens, 1938 * 95 minutes * Black & White * Monaural * 1.37:1 aspect ratio, LE PETIT SOLDAT Featuring a new introduction by the filmmaker.

—Oktay Ege Kozak / Watch (with extras) on the Criterion Channel, Year: 1960 Director: Sidney Lumet * New English subtitle translation Beautifully performed and bursting with cinematic references, All About My Mother is a vibrant tribute to female fortitude, a one-of-a-kind family portrait, and a work of boundless compassion. * “Fail-Safe” Revisited, a short documentary from 2000 including interviews with Lumet, screenwriter Walter Bernstein, and actor Dan O’Herlihy THE FUGITIVE KIND February 11, 2020.


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