[30], Learn how and when to remove this template message, Silver Berlin Bear-Extraordinary Jury Prize, "Roman Polanski Understands Women: Repulsion", "Repulsion- Soundtrack details - SoundtrackCollector.com", "The dazed brutality at the heart of Roman Polanski's films", "The keys to Polanski's apartment trilogy and Rosemary's Baby", The Girl: A Life in the Shadow of Roman Polanski, https://en.wikipedia.org/w/index.php?title=Repulsion_(film)&oldid=978822261, Pages using citations with format and no URL, Wikipedia articles with plot summary needing attention from May 2020, All Wikipedia articles with plot summary needing attention, Creative Commons Attribution-ShareAlike License, This page was last edited on 17 September 2020, at 03:57. The landlord comes looking for the rent.
[8], The film would be a challenge, as Roman Polanski didn't know London very well, and could barely speak English.
Carol is remarkably detached and struggles in her daily interactions.
Send us feedback. Polanski unceremoniously drops us into a beauty salon where a pampered matron takes to task our heroine, a manicurist who …, This coming Saturday, as part of its weekly late-night program After Hours, Florida’s Coral Gables Art Cinema will cede the big screen to Roman Polanski’s descent-into-madness classic Repulsion. Catherine Deneuve is Carol, a fragile, frigid young beauty cracking up in her London flat when left alone by her vacationing sister. Michael happens on Helen hyperventilating and finds Colin's dead body in the bath. One of cinema’s great beauties, Catherine Deneuve (born Catherine Dorléac in Paris in 1943) is also an icon of the transformative cinematic 1960s. He had asked his producer Gene Gutowski where he thought these characters would live? [14], It has been suggested that the film hints that her father may have sexually abused her as a child, which is the basis of her neuroses and breakdown. The dream sequences are particularly intense.
How to use repulsion in a sentence. When home, she enjoys looking out the window to see a group of nuns outside of their church playing soccer. [3][4][5] The film was nominated for a BAFTA Award for Gilbert Taylor's cinematography. [18], It increasingly adopts the perspective of its protagonist. Accessed 28 Sep. 2020. At night she is unable to sleep, haunted by the sounds of her sister's lovemaking.
After Helen and Michael leave for Italy on holiday, Carol is left alone in the apartment.
Prior to production of Repulsion, director Roman Polanski was experiencing a change in life.
[29], In 2009, the film was released as part of The Criterion Collection on DVD and Blu-ray. Repulsion is a 1965 British psychological horror film directed by Roman Polanski and based on a story by Polanski and Gérard Brach, who wrote the screenplay with David Stone.
The main character Carol (Catherine Deneuve) is a beautiful yet withdrawn woman who finds men and sexual advances repulsive. I was suddenly overwhelmed by the Anglo-Saxon world: language, objects, sets, people. The film focuses on the point of view of Carol and her vivid hallucinations and nightmares as she comes into contact with men and their desires for her. Here he's stated "Repulsion was my discovery of London. He declares his love for her, and she responds by clubbing him to death with a candlestick. Both releases contain two documentary featurettes, audio commentary by Roman Polanski and Catherine Deneuve, original trailers, and a 16-page booklet. Shot in London, it is Polanski's first English-language film[2] and second feature-length production, following Knife in the Water (1962). Repulsion is a film that lives long in the memory, one that inspired a generation of horror films. As she turns on a light, the wall cracks open. These example sentences are selected automatically from various online news sources to reflect current usage of the word 'repulsion.' [17], The film also approaches the theme of boundary breaking, with Tamar McDonald stating that she saw Carol as refusing to conform to the expected "path of femininity".
Later, the angry wife of Michael calls looking for Helen, causing Carol to cut the wire of the telephone. [23], Upon the film's release to DVD, Dave Kehr reviewed the film for The New York Times praising the film's techniques and themes, saying, "Mr. Polanski uses slow camera movements, a soundtrack carefully composed of distracting, repetitive noises (clocks ticking, bells ringing, hearts thumping) and, once Carol barricades herself in the cramped, dark apartment, explicitly expressionistic effects (cracks suddenly ripping through walls, rough hands reaching out of the darkness to grope her) to depict a plausible schizophrenic episode. Thanks to its disturbing detail and Polanski’s adeptness at turning claustrophobic space into an emotional minefield, Repulsion is a surreal, mind-bending odyssey into personal horror, and it remains one of cinema’s most shocking psychological thrillers.
Repulsion is far more shocking, in fact, than anything Hitchcock ever made, because it can produce in the spectator the added shock of self-recognition, the hallmark of a real artwork. She cleans the blood, barricades the door, and places Colin's corpse in the bathtub.
He sees the uncooked rabbit, still sitting out, rotting.