Play through all five patterns, working your way down the fretboard from one box to the next. Play both and listen to the differences in tone. In E minor (Em), the root note is E, the minor 3rd is G, and the perfect 5th is B. Here’s how to play Em. The fourth position of the G minor pentatonic scale starts with the first finger on the sixth string, tenth fret. To play the first box of the minor pentatonic scale, start with your first (index) finger on the sixth string, third fret. Play that note then put your fourth (pinky) finger on the sixth string, sixth fret and play that. As outlined in my article on the CAGED System, I refer to the five positions by where the roots are. This type of targeting is common in guitar solos and melodies. Now let’s play the G minor pentatonic scale in the second position. Learn more about Mailchimp’s privacy practices here.
The fingering shown in the diagram can be altered by using the middle and pinky fingers when playing the notes on strings 6, 5, 2, and 1.

If you have been a guitarist for any length of time, you’ve no doubt heard about scales and how you need to know them.

So now that you know the notes, intervals, and scale positions of the A minor pentatonic, let’s start applying it in a musical context. Start and finish on the root notes. Use these notes as the starting points for playing across … So place Finger 1 at the 3rd fret and you will play the G Minor Pentatonic Scale (because the note on the 3rd fret of the 6th string is the note G). These notes can be used to make up solos and melodies to play over a group of chord progressions that also sound good together.
Because it’s a minor scale, it follows the following pattern of whole & half-steps: If we apply this formula to the chromatic intervals on the guitar, you can see how the minor scale is built. A Minor Pentatonic Scale Tabs: 5th Position Let’s play the lower octave version of the A minor pentatonic scale, beginning on the low E string (the one closest to you, if you’re looking down at your guitar). C Major Scale on Guitar: Positions & Theory. The 5 Positions. The chord progression over which the lick is being played is straight from the key of A minor: Am – G – F. This lick is played using position 1 of the A minor pentatonic scale.

Learn more about Mailchimp's privacy practices here. Start by playing the sixth string, sixth fret. In the first position, you find the root notes on the 6th string, 4th string, and 1st string, forming a triangular shape. This article serves as a reference for navigating minor pentatonic scales all over the guitar fretboard. Embedded content: https://www.youtube.com/watch?v=j5TtGDVG9Ok?rel=0. You can practice playing this extension as you would any of the other scale positions. Learn more about Mailchimp’s privacy practices here.

Let’s analyze this further. The scale is made up of just five notes, but as your fingers move across the fretboard, you’ll repeat these notes in higher or lower octaves. Let’s take a look at the minor pentatonic scale. The scale patterns are always the same relative to the root notes. + Learn production, composition, songwriting, theory, arranging, mixing, and more —  whenever you want and wherever you are. The diagram below shows more clearly how the positions are interconnected. Play outside the first box. identify intervals, build chords, chart progressions, A Harmonic Analysis of Michael Jackson’s Protest Song “They Don’t Care About Us”, Making It in Hell: The Lomax Prison Song Recordings from Parchman Farm, 1933–69, Introducing “Enough Is Enough: A Black Lives Matter Playlist”, When Film Music Is a Mickey Mouse Operation, Why Musicians Should Learn to Think Like a Chicken Farmer, Announcing Mondo.NYC’s 2020 Digital Music and Tech Expo. You’ll not only train your ear, but build mechanical skill with fretting and picking the notes in different ways. The second position shown is probably the most commonly used shape of this scale.

Sayce covers how blues legends like Stevie Ray Vaughn and Freddy King use fundamental skills to craft their iconic riffs and solos.


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