[D] Despite not having been born in Armenia, Khachaturian was "essentially an Armenian composer whose music exhibits his Armenian roots". [51] In the last two decades of his life, Khachaturian wrote three concert rhapsodies—for violin (1961–62), cello (1963) and piano (1965)[43]—and solo sonatas for unaccompanied cello, violin, and viola (1970s), which are considered to be his second and third instrumental trilogies. They shaped my musical consciousness and lay at the foundations of my artistic personality... Whatever the changes and improvements that took place in my musical taste in later years, their original substance, formed in early childhood in close communion with the people, has always remained the natural soil nourishing all my work. [H] Khachaturian is highly regarded in Armenia[94] and considered a national treasure. C’est dans cette ville que sont nés ses cinq enfants. En 1922, ce fut l’année de son premier concert. ...նկատելի է Ա.Ե. "[23] He served as the President of the Soviet Association of Friendship and Cultural Cooperation with Latin American States from 1958[13] and was a member of the Soviet Peace Committee (since 1962). Le Concerto pour violon et orchestre, composé en 1940 et récompensé par le Prix Staline en 1941, lui valut la notoriété internationale et marqua sa carrière. It was a great success that earned Khachaturian a Soviet State Prize. Quand il se rendit pour la première fois à l’opéra, à onze ans, il tomba amoureux de la musique, même s’il ne pensait pas entreprendre d’études en profondeur dans ce domaine. [E] Khachaturian acknowledged that Komitas "singlehandedly laid the foundations for Armenia's classical tradition". [42][57] Spartacus became his most acclaimed work in the post-Stalin period.
[21] He revised Spartacus in 1968. [30] He wrote his first major work, the Piano Concerto, that year. [55], Khachaturian is best known internationally for his ballet music. Together with other [Armenian composers], we will make all of Europe and the whole world listen to our music.
C'est durant ses études qu'il rencontra la femme de sa vie, Nina Makarova.
La découverte de la musique lui est venue du pensionnat où il prenait des cours de piano. "Yet the intention, the spirit, was always there.
"[a type of] music that was considered too advanced or difficult for the masses to enjoy")[6] and their music was dubbed "anti-people".
During most of his career, Khachaturian was approved by the Soviet government and held several high posts in the Union of Soviet Composers from the late 1930s, although he joined the Communist Party only in 1943. Aram Khachatryan left a huge cultural heritage.
[80] They are sometimes collectively referred to as the three "titans" of Soviet music. "[8], Khachaturian was the most renowned Armenian composer of the 20th century,[89] and the most famous representative of Soviet Armenian culture. Honored Art Worker of the Armenian SSR (1938), Russian SFSR (1944), Order of the Science of Art of the United Arab Republic (1961, "for outstanding musical achievements"), This page was last edited on 24 September 2020, at 08:30. [41] It was the Symphonic Poem (1947), later titled the Third Symphony, that officially earned Khachaturian the wrath of the Party.
In Tiflis, which has historically been multicultural, Khachaturian was exposed to various cultures. [39], He composed the Second Symphony (1943) on the occasion of the 25th anniversary of the October Revolution and incidental music to Masquerade (1944), "a symphonic suite in the tradition of lavish classical Russian music", on Mikhail Lermontov's play of the same title.
L’année qui suivit, il continua avec trois concertos-rhapsodies qu’il voulait rajeunir particulièrement celui pour violoncelle (1963), très virtuose, dédié à Mstislav Rostropovitch.
[43] The climax of Spartacus was also used in films such as Caligula (1979)[61] and Ice Age: The Meltdown (2006).
կինոերաժշտության հիմնադիրը:", "В 1939 году Арам Хачатурян сочинил музыку к первому армянскому балету «Счастье». Entre-temps, il entreprit des cours de violoncelle. He is considered one of the leading Soviet composers. [13][17] He was also a deputy in the fifth Supreme Soviet of the Soviet Union (1958–62). En 1948, il fut pointé du doigt pour ses tendances « formalistes », au même titre que Prokofiev, Chostakovitch, et Miaskovsky, son professeur au Conservatoire. And that direction is fundamentally incorrect. [13] Poet Hamo Sahyan said about Khachaturian: "He became the big denial of our myth of smallness, [he] became the symbol of measuring our small people with the great ones... [He] became our certificate of civilization.
But it's also easy to see how he acquired his awkward reputation when you hear his Violin Concerto, dating from 1940.