This site uses Akismet to reduce spam. The tune is notable for several things.

He teaches music at the Idaho Arts Charter School, and is the jazz adjunct professor at Northwest Nazarene University.

However, you can play around with the feel; for instance, the LJS play along is all latin. A overview of their recording sessions, including the “Tunisia” recording.

In fact, many early jazz pioneers considered solo breaks to be part of the definition of jazz.
Or, go for a more minimalist approach and leave some rests in there.

Click HERE to begin my well-sequenced, step-by-step video course, or email me at rondrotos@keyboardimprov.com for Skype piano lessons.

Transcription of Charlie Parker’s 4-bar breaks on A Night In Tunisia Also, “A Night In Tunisia” is a great tune on which to study how to play solo breaks, mainly because Charlie Parker played such a famous one (see link below.) A Night in Tunisia is a colorful tune written by arguably jazz music’s most colorful character-Dizzy Gillespie. For scales, you can use Eb-F-G-A-Bb-C-Db for the Eb7(#11) chord, and either D Dorian or D Natural Minor for the Dm7 chord.

The rest of the “take,” unfortunately, wasn’t usable so the band had to play the tune again. My own journey has taken me to Carnegie Hall, Broadway shows including Smokey Joe's Cafe and Swinging On A Star, and NYC's Blue Note jazz club, and now I'm sharing this experience with piano students worldwide. This is a throwback to the early days of jazz when solo breaks, also known as “stop time,” were an integral part of the music.

I'll show you how to play with a new sense of joy and fluency!

Musical ideas and jazz piano practice tips: The tune is an AABA form with an interlude. Note:  A Night in Tunisia can be done a number of different ways. (If it didn’t have solo breaks, it wasn’t jazz.).

History and overview: The solo break is when the rhythm section stops playing for 4 measures while the soloist improvises at the start of their solo.

However, you can play around with the feel; for instance, the LJS play along is all latin. They’re in the alto sax key, but well worth playing through a few times! (for international readers who may not have access to these YouTube links, I’ve indicated the original album names wherever possible so you can listen to them on music streaming services, etc. (play Eb and G with your left hand, and all the RH notes at the same time and you’ll have a very “bebop-sounding” voicing!).

However, you could potentially also use the interlude at the end of each form OR at the end of each soloist (if they are taking multiple choruses).

), Massey Hall Toronto 1953: Night in Tunisia. One of the fun things to discover in “A Night In Tunisia” is how the opening melodic gesture outlines the arpeggio.
It is most common to do the A section in a latin feel, with the last two bars of the A section in a swing feel. Click HERE to get started with my video course along with my personal guidance. You have entered an incorrect email address!

Guitar Instructor Robert Smith breaks down a Solo Chorus by Clifford Brown on the tune \"A Night In Tunisia\". Full discussion of Parker’s “A Night In Tunisia” solo breaks, see the link I’ve provided below in the “Further links and resources” section. I've taken one or two themes from Art's solo including the famous heavy 2-4 on the Hi-hat throughout. © Copyright 2018 - Learn Jazz Standards, LLC, Access monthly jazz standard studies, and courses. Recommended videos/recordings:

<A HREF=”http://ws.amazon.com/widgets/q?rt=tf_w_mpw&ServiceVersion=20070822&MarketPlace=US&ID=V20070822%2FUS%2Flearjazzstan-20%2F8014%2F42ae3537-4d24-460a-adae-e83268ef1fb3&Operation=NoScript”>Amazon.com Widgets</A> Save my name, email, and website in this browser for the next time I comment. It is a tune that every jazz musician must know. Keith Jarrett does some interesting things on his solo breaks, too, like “turning the beat around.” Try all of these approaches and use them on different tunes, so you’re not playing the same break all the time. The play along has the interlude only after the first and last chorus. I'm Ron Drotos and I'm passionate about teaching all forms of piano improv including jazz, rock, blues, pop, & even classical improvisation. Sometimes this is successful, and sometimes it’s not. A podcast to help you learn jazz piano more effectively, Mastering The Real Book: A 10-week Skype Intensive for Jazz Pianists, Previous Song           Table of Contents           Next Song, Learn the 5 Essential Left Hand Techniques with my free ebook: Left Hand Techniques for Jazz Piano


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